JULIAN
CHARRIÈRE
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Polygon is a black-andwhite
poster featuring an
abstracted photograph of
the Semipalatinsk Nuclear
Test Site in Kazakhstan,
overlaid with the names of
some of the atomic devices
detonated in the region
between 1949 and 1989. Made
on analogue medium format
film, the original negatives
were exposed to radioactive
soil collected on site,
manifesting as ghostly white
apparitions on the work.
Julian Charrière is a
French-Swiss artist based in
Berlin. Bringing together
sculpture, film, and
photography, his projects
often stem from fieldwork
in locations where acute
geophysical identities have
formed, from volcanoes to
icefields and radioactive
sites. Whether undertaking
artistic expeditions
or staging immersive
installations, the core of
his practice is concerned
with how human beings
inhabit the world, and how
it in turn inhabits us.
Organized by Estudio Pedro Reyes
in collaboration with ICAN
ARTISTS AGAINST THE BOMB is an exhibition of posters that call for universal nuclear disarmament. Each made by a different artist, the group comprises historical and newly
commissioned works that detail a cultural history of disarmament movements and evidence the diversity of ways in which artists have expressed the need to ban the bomb. ARTISTS AGAINST THE BOMB is designed for maximum agility and economic effectiveness, relying on a black and white palette both for its impact and ease o reproduction. We asked artists to ensure their works can exist on a variety of supports, ephemera such as posters, postcards, billboards, banners, flags, t-shirts and social media posts, as we aspire to achieve the widest possible circulation of this message.
ARTISTS AGAINST THE BOMB presents the works of foundational conceptual artists Art & Language; pop hero, Keith Haring; legendary feminists, Guerrilla Girls; performance artists Regina José Galindo and Pussy Riot’s Nadya Tolokonnikova, as well
as eminent sculptors Magdalena Abakanowicz and Isamu Noguchi. It also features indelible photographs by Robert Del Tredici and Ken Domon alongside protest graphics from social movements such as the Campaign for Nuclear Disarmament (CND), founded in 1958 and still active; the epic Peace Squadron and Visual Artists Against Nuclear Arms (VAANA); and the Women’s International League for Peace and Freedom (WILPF). Additionally, it examines how stories are told, from the theater of Bread and Puppet to films like Stanley Kubrick’s Dr. Strangelove and Marguerite Duras / Alain Resnais’ Hiroshima Mon Amour, to an unexpected survey of literature, from an early
anticipation of an atomic bomb, first envisioned by H.G. Wells in 1918, to the viscera spoken word poetry of Jayne Cortez.
ARTISTS AGAINST THE BOMB, organized by Estudio Pedro Reyes in collaboration with the International Campaign to Abolish Nuclear Weapons (ICAN), is presented on the occasion of the Second Meeting of State Parties to the Treaty on the Prohibition of Nuclear Weapons (TPNW) held at the United Nations in 2023.
To organize en exhibition of ARTISTS AGAINST THE BOMB please contact curatorial assistant Verana Codina.
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