INSTITUTE
FOR
POSTNATURAL
STUDIES
In a continuous sentiment of conflict, it feels spontaneous to look for alternative ways to create lasting, attuned bonds with each other and our surroundings. Drop acids, not bombs (2022), a poster originally made for a Ukraine fundraising event, shows the classic slogan from the 70s conflict in Vietnam that seems still relevant and accurate to any war, while proposing a counterculture attitude.
The Institute for Postnatural Studies is a center for artistic experimentation from which to explore and problematize ‘postnature’ as a framework for contemporary creation. Founded in 2020, it is conceived as a platform for critical thinking, a network that brings together artists and researchers concerned about the issues of the global ecological crisis through experimental formats of exchange and the production of open knowledge. From a multidisciplinary approach, the Institute develops long-term research focused on issues such as ecology, coexistence, politics, and territories. These lines of investigation take different shapes and formats, including seminars, exhibitions and residencies as spaces for academic and artistic experimentation. The Institute for Postnatural Studies works at the inter-section between Spanish and international practices and debates. In parallel, the Institute has created the publishing platform Cthulhu Books.
Image credit: Irene Baque
Organized by Estudio Pedro Reyes
in collaboration with ICAN
ARTISTS AGAINST THE BOMB is an exhibition of posters that call for universal nuclear disarmament. Each made by a different artist, the group comprises historical and newly
commissioned works that detail a cultural history of disarmament movements and evidence the diversity of ways in which artists have expressed the need to ban the bomb. ARTISTS AGAINST THE BOMB is designed for maximum agility and economic effectiveness, relying on a black and white palette both for its impact and ease o reproduction. We asked artists to ensure their works can exist on a variety of supports, ephemera such as posters, postcards, billboards, banners, flags, t-shirts and social media posts, as we aspire to achieve the widest possible circulation of this message.
ARTISTS AGAINST THE BOMB presents the works of foundational conceptual artists Art & Language; pop hero, Keith Haring; legendary feminists, Guerrilla Girls; performance artists Regina José Galindo and Pussy Riot’s Nadya Tolokonnikova, as well
as eminent sculptors Magdalena Abakanowicz and Isamu Noguchi. It also features indelible photographs by Robert Del Tredici and Ken Domon alongside protest graphics from social movements such as the Campaign for Nuclear Disarmament (CND), founded in 1958 and still active; the epic Peace Squadron and Visual Artists Against Nuclear Arms (VAANA); and the Women’s International League for Peace and Freedom (WILPF). Additionally, it examines how stories are told, from the theater of Bread and Puppet to films like Stanley Kubrick’s Dr. Strangelove and Marguerite Duras / Alain Resnais’ Hiroshima Mon Amour, to an unexpected survey of literature, from an early
anticipation of an atomic bomb, first envisioned by H.G. Wells in 1918, to the viscera spoken word poetry of Jayne Cortez.
ARTISTS AGAINST THE BOMB, organized by Estudio Pedro Reyes in collaboration with the International Campaign to Abolish Nuclear Weapons (ICAN), is presented on the occasion of the Second Meeting of State Parties to the Treaty on the Prohibition of Nuclear Weapons (TPNW) held at the United Nations in 2023.
To organize en exhibition of ARTISTS AGAINST THE BOMB please contact curatorial assistant Verana Codina.
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