For his contribution, the artist offers a direct message against nuclear weapons, using concepts related to the military and political decision-making and leaving any superfluous element outside of the composition.

Enrique Ježik (Argentina, 1961) is a visual artist whose multidisciplinary work directly and explicitly attacks censorship, surveillance, and different forms of control strategies, shedding light on anarchist ideals and freedom through radical criticism of normalized, legal, or falsely democratic repressive systems, as well as mass media dynamics of communication and politicization. In his work, Ježik uses weapons, war machinery and industrial materials as formal or sculptural components, or as readymades, with performance being one of the pillars of his practice. He also employs other media, from drawings and texts to architectural interventions in public spaces. The tension generated by the violence and aggressiveness in Ježik’s pieces often implies a potential or latent risk, which can be experienced by spectators, through the processes of their production.

Ježik establishes references to art history, such as American minimalism or Russian suprematism, with specific formal and conceptual implications in each case.

Organized by Estudio Pedro Reyes
in collaboration with ICAN

ARTISTS AGAINST THE BOMB is an exhibition of posters that call for universal nuclear disarmament. Each made by a different artist, the group comprises historical and newly
commissioned works that detail a cultural history of disarmament movements and evidence the diversity of ways in which artists have expressed the need to ban the bomb. ARTISTS AGAINST THE BOMB is designed for maximum agility and economic effectiveness, relying on a black and white palette both for its impact and ease o reproduction. We asked artists to ensure their works can exist on a variety of supports, ephemera such as posters, postcards, billboards, banners, flags, t-shirts and social media posts, as we aspire to achieve the widest possible circulation of this message.

ARTISTS AGAINST THE BOMB presents the works of foundational conceptual artists Art & Language; pop hero, Keith Haring; legendary feminists, Guerrilla Girls; performance artists Regina José Galindo and Pussy Riot’s Nadya Tolokonnikova, as well
as eminent sculptors Magdalena Abakanowicz and Isamu Noguchi. It also features indelible photographs by Robert Del Tredici and Ken Domon alongside protest graphics from social movements such as the Campaign for Nuclear Disarmament (CND), founded in 1958 and still active; the epic Peace Squadron and Visual Artists Against Nuclear Arms (VAANA); and the Women’s International League for Peace and Freedom (WILPF). Additionally, it examines how stories are told, from the theater of Bread and Puppet to films like Stanley Kubrick’s Dr. Strangelove and Marguerite Duras / Alain Resnais’ Hiroshima Mon Amour, to an unexpected survey of literature, from an early
anticipation of an atomic bomb, first envisioned by H.G. Wells in 1918, to the viscera spoken word poetry of Jayne Cortez.

ARTISTS AGAINST THE BOMB, organized by Estudio Pedro Reyes in collaboration with the International Campaign to Abolish Nuclear Weapons (ICAN), is presented on the occasion of the Second Meeting of State Parties to the Treaty on the Prohibition of Nuclear Weapons (TPNW) held at the United Nations in 2023.

To organize en exhibition of ARTISTS AGAINST THE BOMB please contact curatorial assistant Verana Codina.

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